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Mercury Rev

All Is Dream

Mercury Rev - All Is Dream | Cherry Red (BREDD816) - main
Mercury Rev - All Is Dream | Cherry Red (BREDD816) - 1Mercury Rev - All Is Dream | Cherry Red (BREDD816) - 2Mercury Rev - All Is Dream | Cherry Red (BREDD816) - 3Mercury Rev - All Is Dream | Cherry Red (BREDD816) - 4

A1

The Dark Is Rising

A2

Tides Of The Moon

A3

Chains

A4

Lincoln's Eyes

A5

Nite And Fog

B1

Little Rhymes

B2

A Drop In Time

B3

You're My Queen

B4

Spiders And Flies

B5

Hercules

C1

Planet Caravan

C2

Streets Of Laredo

C3

I Keep A Close Watch

C4

Nocturne In C# Minor, Opus 27, No. 1

C5

Blue Skies

C6

Mascara Tears

C7

Lucy In The Sky With Diamonds

D1

The Brook Room

D2

Silver And Gold

D3

A Drop In Time (Demo)

D4

Where Mountains Start To Rise

D5

Back Into The Sun (You're The One)

D6

A Quick One At Artie's 44

D7

Mr. Moonlight Will Come

D8

Cool Waves

D9

Hercules (Demo)

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Cherry Red (BREDD816)

2x Vinyl LP Album Reissue

Release date: Nov 29, 2024, UK

Transparent, Coloured Vinyl
• Limited edition double translucent blue vinyl edition of Mercury Rev’s sequel to ‘Deserter’s Song’. • Printed on translucent blue with an exclusive gatefold sleeve, with full support from the band and limited to just 1000 copies. • Includes the classic Rev singles: ‘Nite And Fog’, the magnificent opening track ‘The Dark Is Rising’ (#16 UK) and ‘Little Rhymes’. Plus a bonus disc featuring various B-sides and out-takes. • ‘All Is Dream’ remains Mercury Rev’s highest charting album in the UK to date (and second highest in the US). Formed in Buffalo, New York, in 1989, Mercury Rev quickly grew to become leading figures in left field alternative rock. Earlier albums veered towards experimental, off-kilter psychedelia but by the end of the decade, the band had developed their own brand of serene, piano-based Americana with the acclaimed, best- selling LP ‘Deserter’s Songs’ (1998). ‘All Is Dream’ was originally released on V2 in 2001 in August (Europe) and September (North America) and boasted a more expansive, cinematic production than its predecessor (again courtesy of ex-member Dave Fridmann, by this time arguably the most in-demand producer in alternative US Rock). The record was warmly received by critics and fans alike, enjoying higher chart positions than its predecessor (#11 UK, #17 US, Top 40 in Australia and in various European countries).